On control/constraints of his Comedy Central show The Jeselnik Offensive

I have full control. Sure, there are limits to the format I've chosen, but I think brilliant stuff comes out of working with limitations. One liners are very limiting, but that's what drew me to them in the first place.

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when i did pootie tang i signed a deal that i served at their pleasure and had no creative control. It was worth it because I got to direct a studio movie at a young age and I learned. I don't sign deals like that anymore though.
Question: How on earth were you able to gain the incredible amount of authorial control that you have over Louie? Have you had to battle with FX over any particular jokes/concepts/creative choices? Answer: I got it by demanding it and refusing to do the show any other way at all and by having the leverage that I was completely willing to walk away without doing the show and by agreeing to an extremely low budget so that they could offset the risk of giving me this freedom becuase they are risking less money. I have had conversations with them about very few moments in the show but zero battles.