Process he and Hannibal Burress have to come up with jokes for The Eric Andre Show

Hannibal and I have very different approaches. I write stuff beforehand; he drifts in and out of consciousness.

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That was the most fun I ever had. The coolest part of that episode, that you couldn't see, was the head of the secret service explaining to me what was going to happen if someone started shooting at us. What they would do to the president and where they were going to throw me in the back of a van. That was really exciting Bourne Identity stuff.
It's a reference to the utterly haphazard nature of old variety shows. You'd do a sketch and then cut to a musical number with zero segue. So... basically Family Guy.
The audition process for Drake and Josh was very extensive. Three auditions and a screen test. I KID! I auditioned at the Nickelodeon Studios and like every actor's first onscreen role, I shared a scene with a watermelon lamp that my character built for a science fair.
I love editing. It's like mixing. It's very therapeutic and satisfying and maddening.
Dan had the idea. He liked the idea of a guy who took the time to look ridiculous and then having the guy hating being called ridiculous.
Larry David and I discovered that we were both obsessed with superman and admired him and also found him very funny at the same time, so that is why he came up a lot. Are you related to the hot dog Kobayashi in Coney Island?
Question: How on earth were you able to gain the incredible amount of authorial control that you have over Louie? Have you had to battle with FX over any particular jokes/concepts/creative choices? Answer: I got it by demanding it and refusing to do the show any other way at all and by having the leverage that I was completely willing to walk away without doing the show and by agreeing to an extremely low budget so that they could offset the risk of giving me this freedom becuase they are risking less money. I have had conversations with them about very few moments in the show but zero battles.
Oh man there were so many. I actually had butterflies in my stomach during a lot of those dates. Rachel, who doesn't like wearing socks, was tough to get a read on. But a fascinating person. LA, the lady who was trying to promote her album, was also a delight. Lais, who tried to kiss me.. that was a really intense one for me. It was very surreal how seriously competitive the women were getting. Actually, a fight broke out (verbal, not physical) between two of the women over how much time they were getting with me. We ended up cutting it from the episode because it felt a bit too much like a moment you'd actually see in The Bachelor, but it was a very crazy moment and a very surreal night.
plotting can be tough because you're never quite sure you're doing it right - it's usually kind of like an exploration. You try something, and figure out what it needs. For instance, one episode we were plotting last night, I felt like it was all things happening, and no emotional connection from our charaters. So we figured out what my own personal connection to the plot would be, and that actually helped us figure out the things that would happen more easily. It's also helpful if your characters can have opposite points of view about what's occuring. To motivate, I would try to outline as much as you can before you ever start writing a line of dialogue. If you're having trouble plotting, ...

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Yes I do. I'm constantly talking to my phone. Whenever an idea occurs. Sometimes I don't say enough. I'll dictate "large coffee cup" and have no idea of what I thought was funny about that subject.
Initially they came in and I was just doing the scripted lines and I asked "Do you mind if I try something?" and then 18 hours of recording later, they had the genie. I just started playing, and they said "just go with it, go with it, go with it." So I improvised the character. I think that in the end, there were something like 40 different voices that I did for that role.
Question: Peter and Nancy are my favorite characters on the show. What was the inspiration for Peter's pasta addiction and will they go anymore adventures like starting a B&B?? Answer: That came from a real dinner that Carrie and I had in Los Angeles. And we were looking at the menu, and we just thought "well obviously we can't order pasta, so I guess we have to order this." So we started talking about, why do we have to avoid pasta so much? So it was more that we were weighing the difference between the difference between enjoying life and really living, or ordering salmon.
I can't sit down and write jokes. I just flows in from some maddeningly elusive place. Believe me if i had an alaska in my brain i would drill baby drill and I'd cum right on Sarah's back while I was there.
plotting can be tough because you're never quite sure you're doing it right - it's usually kind of like an exploration. You try something, and figure out what it needs. For instance, one episode we were plotting last night, I felt like it was all things happening, and no emotional connection from our charaters. So we figured out what my own personal connection to the plot would be, and that actually helped us figure out the things that would happen more easily. It's also helpful if your characters can have opposite points of view about what's occuring. To motivate, I would try to outline as much as you can before you ever start writing a line of dialogue. If you're having trouble plotting, ...
Our process is... we rarely ever start with lyrics... it often begins with us jamming (or jammin') on some riff and then we start singing a melody that fits the music... and whatever words come out that's 90% of what we go with. We got a rule that we can't revise lyrics cuz we think it's funny. DO YOU?!!!
Question: You come from a very affluent family – are you a reformed “rich dick” or are those characters informed by people you went to school with? Or both? Or neither? Answer: All of my characters are informed by who I am and people that I've come into contact with, as well as everyone else involved in making the show - like in the case of Rich Dicks, John Daly and people that he knew.
I come up with a few bits on TEAS a lot of the time, those are my genuine reactions to what's happening. He does some weird stuff on that show and it throws me off sometimes.
I try to sit down and write, but I don't do that a lot. I tend to think of an idea, then work it out on stage. But I should do more homework.
That would be me, Robert, when I was EPing Dana Carvey's prime time variety show in 1996. We wanted to to do cartoons on the show, and pretty much anything that make it feel different than SNL. The great writer and deviant Dino Stamatopoulos pitched me something entirely different - what if characters like Wallace and Gromit were clearly having a sexual relationship? I didn't know much about what would be acceptable to the ABC audience watching after Home Improvement but I correctly identified that as unacceptable. Anyway, for some reason, the AGD idea just came to me at the end of that conversation. What if we did two superheroes and everyone suspects they're gay? It was always more about t...