this movie is funny and uplifting but it is also an honest look at grief and loss. I think we all relate. It is an uplifting film. I hope it males people feel less alone in their struggles.
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Related posts tagged 'Filmmaking'
[Tommy Wiseau] also financed it at the tune of $6 million. It does not look like it was made for $6 million. It looks like it was made for about $60. It came out in 2003, and Tommy intended it to be a great drama. He wrote on the original poster that it was a Tennessee Williams-level drama. It's a very simple story.
[Wiseau] casts himself as Johnny, this great guy, all American guy, and he has a girlfriend and best friend named Mark. And basically the plot of the movie is his girlfriend and his best friend have an affair and betray him, and — spoiler alert — he commits suicide at the end.
And that's kind of it. But that says nothing about all the bizarre creative decisions — the weird side...
Chris was always doing that bit to me at work. We shared an office, and you had to walk through our office to get to Chris Rock & Adam Sandler's office, so these 2 microscopic offices were back to back, and Chris' desk was behind mine, and he didn't really know how to write, or read, really (kidding!) but he would come in bored, because I would have to write my sketches to try to get on but they would always let him on, so he would get behind me and be bored, everyone would write him sketches, and he would say "Davey… turn around" and I said "if this is Fat Guy in a Little Coat I'm not turning around, it's not funny anymore." And he would say "no, i've got a whole new thing I'm doing."
And ...
Oh ! Oh ! Humphrey. Cary Grant. Ida Lupino. Joan Fontaine. Charles Laughton. Myrna Loy. Carole Lombard. James Mason!!!!!!! We don't have enough time to play this game. Jason Robards!
There’s another quote that I like, this one’s a little long, but I think it’s good. It’s by a guy named John Garvey: ‘I am increasingly convinced that the need to be right has nothing whatsoever to do with the love of truth, but to face the implications of this means accepting a painful inner emptiness; I am not now what I sense somehow I am meant to be. I do not know what I feel from the bottom of my heart, I need to know. The beginning of wisdom is not to flee from this condition or distract yourself from it. It is essential not to fill it up with answers that have not been earned. It is important to learn how to wait with that emptiness. It is the desire to fill up that emptiness which le...
Well probably the most horrifying thing was that there was something called Nero Edict that was distributed by the Fuhrer, Hitler, which said that if the Reich should fall, or if Hitler was killed or taken, that all the art that was stolen should be destroyed. And a fair amount of the art was burned, things were burned that will never be returned, a lot was burned even before the Nero Edict because of the modern art, that was degenerate.
In the hunt for the art, they found hidden in the salt mines where the art was hidden, they found the ENTIRE gold supply of Germany.
ENTIRE. Like they had moved their gold, their Fort Knox, into a mine, and this small group of guys searching for art in a m...
I love the new movie and can't wait for the second part. That book is a favorite of mine, and King one of my favorite authors. It was a really big deal for me to get that role, and insane to get to work with all those stars. I'd loved both Tim Curry and John Ritter for years, and taken tremendous influence from their careers and performances. Everyone was so cool and gracious- it really set a tone of epic collaboration. The director Tommy Lee Wallace was so clear in his vision, and really able to communicate. It showed me a lot about what a director can and should be.
Someone asked "will there be a Garfield 3?"
I don't think so. I had a hilarious experience with Garfield. I only read a few pages of it, and I kind of wanted to do a cartoon movie, because I had looked at the screenplay and it said "Joel Cohen" on it.
And I wasn't thinking clearly, but it was spelled Cohen, not Coen.
I love the Coen brothers movies. I think that Joel Coen is a wonderful comedic mind.
So I didn't really bother to finish the script, I thought "he's great, I'll do it." So then it was months before i got around to actually doing it, and I remember i had to go to a screening room in somewhere, and watch the movie and start working. And because they had had trouble contacting ...
Sorry no actual update. I've heard for years there's a movie being developed, but never from anyone actually connected with it. Personally I love the movies, that character, and all the people involved. It's some of the most fun I've had, and most the most widely received movie I've been a part of. Not sure Mike is really looking to make a new one, but I'm sure if he did, everyone would show up for it.
One of the best times I've ever had making a movie. Kind of hard not to have fun with that crew. Anything Craig Robinson says makes me laugh. I think Channing Tatum is most like his character.
I have to say that the only good reviews I've gotten in my movie life were for The Emperor's New Groove. I really, really liked that movie. It was very hard to do (which sounds crazy, because it's only the voice) but the backstory was, it was originally called Empire of the Sun. And it was myself and Owen Wilson as sort of a prince and a pauper trading places type thing. And we got a year and a half into it, and Michael Eisner from Disney looked at a rough cut and said "I don't like it." And they got rid of everybody but Spade, and they had this dopey llama idea. It sounds like they just made it up on the spot, and he liked it, and somehow those guys put together a whole new idea, and it was...
It was incredible. The most exciting condensed period of my life and I can't imagine I'll ever do anything more exciting and I'm actually fine with that -- I don't know what could top that fantasy-camp of a filmmaking experience. The only stressful part was when we'd all go out drinking after a day on set, and I'd ask Quentin Tarantino a question, and he'd start to answer, and I'd feel this enormous pressure to REMEMBER EVERY SINGLE SYLLABLE because film history was literally being dictated to my brain, and I was the only witness, and I was two drinks in and feared I wasn't going to remember a sentence that a friend or historian would ask me for someday. It was the coolest thing ever, quite ...
when i did pootie tang i signed a deal that i served at their pleasure and had no creative control. It was worth it because I got to direct a studio movie at a young age and I learned. I don't sign deals like that anymore though.
Absolutely. Weirder still was that my brain, slowly bleeding from a minor hemorrhage caused by an AVM (different from an AMA) was causing me to go insane, so that added to the madness. You truly don't even question your sanity when you are losing it. It's such a bizarre thing....
Seth Rogen and myself are really good friends. We started out in the business together, so he was calling friends for favors, he wanted me to do a cameo and I agreed. It was a funny cameo; he explained the premise to me and I agreed.
My main takeaway was hire extreme proffesionals to surround you and point like you have a lot of confidence and know what you're doing. Would I do it again? I think I might.....but I also wanna work with Chivo, Bob Richardson...tons of others...
The Joe Dirt wig was itchy. And one time, I walked away from the set at a TV studio when we were doing some Dennis Miller stuff, and I got lost, and I had my janitor's uniform on, and the security guard wouldn't let me back into where I was supposed to go, and I didn't have a cell phone, so I had to sit there for 15 minutes until some PA came to look for me, and I had to explain to them that I was dressed as a janitor with a wig on, and that was an actual story, that sounds fake but it was funny to me. Long story short: I loved the wig, I thought it was hilarious, it was hard to wear all summer but it cracks me up. I think it's in some vault somewhere in the Smithsonian right now, surrounded...
Well that was great fun. It was great fun, because it just dragged on and on and on. And it was this fun bunch of people. First we went to our friend's farm, and we all stayed at her place for a handful of days while we recorded during the day and then at night we would have these magnificent meals and we would all tell stories. We had a LOT of great food, a lot of great wine and great stories. It went on until people started literally falling from their chairs and being taken away. And then we had to go to another place and do it again, we went to George's place, but then something happen and the whole party broke up, and George said "you don't have to go, do ya" and I didn't, so we just ki...
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