Coming up with jokes

I can't sit down and write jokes. I just flows in from some maddeningly elusive place. Believe me if i had an alaska in my brain i would drill baby drill and I'd cum right on Sarah's back while I was there.

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Intuition mostly. I trust the writers I work with and my own instincts. If we all feel like something is hilarious or fresh, I have to assume it is. And those are the things that tend to be well received.
A lot of times it's like a crazy person running up to a whiteboard in the writers room and drawing a turd monster with breasts for testicles. And that crazy person's name is Justin Roiland, or, as I call him, Li'l Goldmine!
I don’t go, “I’m gonna write a joke.” I just go through the world and see stuff. It’s like I exercised the part of my mind of noticing things, to the point where I’m now noticing things without even trying to notice them.
Our process is... we rarely ever start with lyrics... it often begins with us jamming (or jammin') on some riff and then we start singing a melody that fits the music... and whatever words come out that's 90% of what we go with. We got a rule that we can't revise lyrics cuz we think it's funny. DO YOU?!!!
The first time we did it, Fred just starting doing that voice ("Whaaaaaat are you doing here?!") and Kristen and I were like "What?" It was so funny. I hadn't heard him do it before. Man o man it made me laugh. Then it became a game of who could stretch out the vowels in their sentences the most. It got crazy.
I tend to assume vodka and I know it seems unlikely that Rick wouldn't use sci-fi tech to somehow augment whatever he drinks but I think in rick's mind part of the "addiction" to the flask of good old fashioned booze is that it anchors his identity, and I think he knows that if he augmented the booze or the flask, then why not just whip up a very rudimentary nanobiotic alcohol dispenser in his body or inject himself with a plasma component that just amounts to always having a certain blood alcohol level, and I think the reason he doesn't do that is because he's a little afraid he'll lose sight of who he is
Yes I do. I'm constantly talking to my phone. Whenever an idea occurs. Sometimes I don't say enough. I'll dictate "large coffee cup" and have no idea of what I thought was funny about that subject.
That would be me, Robert, when I was EPing Dana Carvey's prime time variety show in 1996. We wanted to to do cartoons on the show, and pretty much anything that make it feel different than SNL. The great writer and deviant Dino Stamatopoulos pitched me something entirely different - what if characters like Wallace and Gromit were clearly having a sexual relationship? I didn't know much about what would be acceptable to the ABC audience watching after Home Improvement but I correctly identified that as unacceptable. Anyway, for some reason, the AGD idea just came to me at the end of that conversation. What if we did two superheroes and everyone suspects they're gay? It was always more about t...

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I try to sit down and write, but I don't do that a lot. I tend to think of an idea, then work it out on stage. But I should do more homework.
If you ask yourself, `Is there anything I can do to get a laugh?’ you can find a lot of things. And usually they’re things that other people have found. But if you take something that’s never going to work and you go, `Wow, I wonder if there’s any way I can get somebody to laugh at this?’ it’s a great challenge.
Writing a script is different because you have to write from different perspectives other than your own. I had to write lines for my fictional wife, Leif, Artie [characters in his HBO show Crashing]... you have to imagine more than just your own opinions. A very good excercise just in general!
I think writing jokes has definitely gotten faster and easier for me as I've gotten older. You just understand yourself better and know your voice.
George Carlin said that comedy comes from looking around and saying, “There’s something wrong here.” It’s that and the twinkle feeling when an idea hits you. Something hits you then you write it out and tweak it on stage. Sometimes it works, but usually it doesn’t. And you repeat that over and over again.
Q: Norm you've talked about the perfect joke being where the setup and punchline are identical. Have you ever come up with one? A: Yes, the joke is "Lyle Lovett and Julia Roberts were divorced today. The reason: he's Lyle Lovett and she's Julia Roberts." That's the closest one.
Definitely. I have a joke where I say ‘you ever forget your headphones at home and have to walk around without them? Boy, thoughts are no good. Turns out I love music, I hate my brain,’ and in other places, people don’t get it. That’s because they don’t walk, they drive everywhere. So I had to change it to ‘you ever had your stereo stolen?’ and it’s like ‘eh, it’s not the same. I’ve got to adjust according to where I am. It’s tough because if the joke works in NY, I want to keep it.
There's no rhyme or reason. I take an idea or story and write it or try it on stage. I'll remember what worked and try to fix what didn't. The length of time varies based on the bit.