How he comes up with material

George Carlin said that comedy comes from looking around and saying, “There’s something wrong here.” It’s that and the twinkle feeling when an idea hits you. Something hits you then you write it out and tweak it on stage. Sometimes it works, but usually it doesn’t. And you repeat that over and over again.

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I come up with a few bits on TEAS a lot of the time, those are my genuine reactions to what's happening. He does some weird stuff on that show and it throws me off sometimes.
Larry David and I discovered that we were both obsessed with superman and admired him and also found him very funny at the same time, so that is why he came up a lot. Are you related to the hot dog Kobayashi in Coney Island?
i usually just think of one funny grain of the character's identity and let it build from there. with hoho, for instance, i just wanted to be an elf who delivers toys to naughty kids.
You know, you’re very funny. But these people have no time for your cleverness. Just get to the point. (advice told to John by Ross Bennett)
The first time we did it, Fred just starting doing that voice ("Whaaaaaat are you doing here?!") and Kristen and I were like "What?" It was so funny. I hadn't heard him do it before. Man o man it made me laugh. Then it became a game of who could stretch out the vowels in their sentences the most. It got crazy.
Question: You come from a very affluent family – are you a reformed “rich dick” or are those characters informed by people you went to school with? Or both? Or neither? Answer: All of my characters are informed by who I am and people that I've come into contact with, as well as everyone else involved in making the show - like in the case of Rich Dicks, John Daly and people that he knew.
People say, “You’re going to get married, and you’re going to have a kid, and then you’re going to be happy and you’re not going to have any material.” I’ve been telling guys that what really happens is, once you get that happiness there’s this whole new fear that you’re going to lose it. Stephen King cannot fuck with the things that you think could happen to your kids. I’ve learned how to deal with those thoughts, and I know the tricks to get me out of depression: playing drums, working out, playing with my daughter, trying something new.
Yes I do. I'm constantly talking to my phone. Whenever an idea occurs. Sometimes I don't say enough. I'll dictate "large coffee cup" and have no idea of what I thought was funny about that subject.
If you ask yourself, `Is there anything I can do to get a laugh?’ you can find a lot of things. And usually they’re things that other people have found. But if you take something that’s never going to work and you go, `Wow, I wonder if there’s any way I can get somebody to laugh at this?’ it’s a great challenge.

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I try to sit down and write, but I don't do that a lot. I tend to think of an idea, then work it out on stage. But I should do more homework.
There's no rhyme or reason. I take an idea or story and write it or try it on stage. I'll remember what worked and try to fix what didn't. The length of time varies based on the bit.
Definitely. I have a joke where I say ‘you ever forget your headphones at home and have to walk around without them? Boy, thoughts are no good. Turns out I love music, I hate my brain,’ and in other places, people don’t get it. That’s because they don’t walk, they drive everywhere. So I had to change it to ‘you ever had your stereo stolen?’ and it’s like ‘eh, it’s not the same. I’ve got to adjust according to where I am. It’s tough because if the joke works in NY, I want to keep it.
I think writing jokes has definitely gotten faster and easier for me as I've gotten older. You just understand yourself better and know your voice.
Q: Norm you've talked about the perfect joke being where the setup and punchline are identical. Have you ever come up with one? A: Yes, the joke is "Lyle Lovett and Julia Roberts were divorced today. The reason: he's Lyle Lovett and she's Julia Roberts." That's the closest one.
Writing a script is different because you have to write from different perspectives other than your own. I had to write lines for my fictional wife, Leif, Artie [characters in his HBO show Crashing]... you have to imagine more than just your own opinions. A very good excercise just in general!
I can't sit down and write jokes. I just flows in from some maddeningly elusive place. Believe me if i had an alaska in my brain i would drill baby drill and I'd cum right on Sarah's back while I was there.
If you ask yourself, `Is there anything I can do to get a laugh?’ you can find a lot of things. And usually they’re things that other people have found. But if you take something that’s never going to work and you go, `Wow, I wonder if there’s any way I can get somebody to laugh at this?’ it’s a great challenge.