The podcast as it is now without a guest is much easier for me to generate stories and material for because I am not trying to impress someone I'm intimidated by or trying to make someone who I feel might be bored or annoyed feel comfortable. It's just about me and Sara and now we have Andrew to supply us with topics. Like "Syria".
Related posts tagged 'Podcasting'
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Related posts tagged 'Podcasting'
I decided to do it because it seemed easy enough to start. But it's kind of a grind booking guests. I do enjoy the conversations, though.
The thing that I love about Scott is that he is not an agent of chaos, but he is an agent of mischief. He loves to paint other people into a corner. And it’s fun, it’s really fun. You know, there are times when it’s frustrating because you might have a thing that you wanted to do but now because you did screw up a word or something, he jumps on that — but, you know, everyone is in agreement. ... It’s entirely up to the improviser, to the guest, to say, 'You know what, yes, I am going to go along with this idea, this very challenging idea that he has pushed me into, because it’ll be fun to try to get out of it. It’ll be fun to try to make sense of this.'
And, ultimately, that’s one of the th...
What makes a great guest for me, is someone willing to completely be child like and bare their silly soul. And it's a bonus if they don't mind opening the show talking about some social issues.
It's a tough question.
What we're talking about here is comics who are way too undeveloped on stage to be where they're at in their careers. The same thing happened with some of the roasts. It elevated features into headliners. That doesn't hurt standup, that just exposes audiences to standup who are less developed than they'd normally be exposed to.
On one hand, though, people leave those shows thinking the whole art form isn't that great. So that does hurt the perception of standup.
On the other hand, those people bring in new audiences to shows. People who would normally never have seen anything. And they'll then be fans of the craft and many will see other shows. So that's really grea...
he always teaches me so much. i worry I'm a boring guest because I'm always just trying to soak in his knowledge and process it all. i made the mistake this last time of smoking weed before the show so i blacked out and don't remember anything. he's the best
It’s a matter of easing into it and sacrificing the idea of “this is what I need to know by the end of this”. I’m doing interviews in an audio format - all the things you’re going to feel listening to that interview might not be about information per se, they’re about engagement. If people are caught up with what they want to ask and what they want to know, they can get detached from what’s happening in the present, because they want to get at something else. But if you let things unfold, and talk about nothing, that often leads to the bigger thing, and I’m like “Well, I didn’t need to talk about that, it just happened”. We just have a conversation. And the thing is, I’m not a journalist. I’...
The one that aired was great. Very rarely does my brain come through for me at just the right time. In that case, it did. Marc is very smart, but sometimes he can use his intelligence to be reductive and disrespectful. That's what I felt he did on the WTF episode that I asked him not to air. One of the things about my career is, I used to work the door at a comedy club in the early 90's. Some of the guys from that era (Marc, Attell, Jeff Ross) had to adjust to me becoming a comedian/writer. They still see me as a doorman at times.
At the end of the day when Duncan and I sit down and have these podcasts it's just two comics trying to make sense of shit and bouncing ideas of each other and out to you folks. I try to emphasise things that I've found to be true in my own life, and things that have resonated with me, and Duncan does the same, but we're really just two stoned comedians shooting the shit.
All of us, you folks included, everyone that is really pondering the mysteries of life - we're all doing the same shit. We're thinking, pondering, dissecting - and hopefully extracting something out of these conversations that we can hold onto, like some sort of a psychic shield protecting you from worthless thoughts. Dunca...
I think one of the best things that's ever happened to my stand up is the podcast because now I no longer have any motivation to send a "message" in a joke form. I just want my shit to be funny. If I can make points and be funny at the same time, awesome. I'm all for it, but most importantly it has to be interesting and funny to me. I can explore ideas until the end of time on the podcast and never need it to be funny, but for me as a fan at least, the comedy that I truly enjoy is the comedy that makes me laugh the most. In the past comics didn't have something like a podcast where they could go into great depth about a fuck load of different subjects, so to get their ideas across and expres...
Q: Would you agree that this is the best time to be a nerd as the nerds are rising up while the jocks and bullies are pumping our gas?
A: i think nerds are on their way to greatness. im SUCH a nerd myself. #hollywoodhandbookref
i spend the 30 minute drive to meltdown just thinking about the guest and how i want it to go. picture them laughing, myself listening, us connecting. a little visualization. then a quick Wiki search, three Alpha Brain (for real, not a plug -- www.alphabrain.com/weird) and ONE sip of coffee.
The first few episodes, I would have my host prepare their end of it and I would prepare a character, but I found it was more cohesive when they planned both. They don't tell me what they're gonna do until we start recording. I love that built-in element of surprise.
I think the first year of the podcast still holds up. I think everyone hates their first 10 episodes, and a lot of people actually take them down and don’t put them back up—mine are up there. But I don’t know, I think the thing the podcast taught me that I wish I knew 10 years before the podcast was how to be a little bit more in the moment of my comedy career. When I first started, I think I was, like, [viewing] myself as more of a craftsman or a writer, and a lot of my performances were very intricately written and not in the moment. I think what the podcast taught me was truly to just be in the moment and not plan anything and know that comedy is essentially meant to be stupid and silly a...
sometimes it just naturally goes in directions people didn't expect - i'm thinking of pam murphy and will hines on a recent episode. when we take a break, I'll usually ask, "Is there somewhere else you were thinking of going with it, and can i lead you back there?" Most improvisers don't care about where it ends up, because the journey is more important than the destination.
Well, be interesting.
Immerse yourself in the space. And talk about what YOU think is interesting. Talk to people who are more interesting than you are. And good luck!
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