Memories of working on Can't Hardly Wait

I love that movie. Getting to play that part was such a gift for me. We had a real balance of genuine emotional resonance, with highly stylized high school life. It's all subject matter and humor that I love. Plus everyone on set and in production knew each other, or were aware of each other over the years, so filming was kind of like a party. GREAT TIME.

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One time Bob despised a sketch of mine so much at a readthru, he told me what was wrong with it for a full ten minutes before concluding, "So I guess I'm saying I hate this sketch and it's trying to kill me," as he dropped it on the ground.
Ben and Tom are having lunch with a drunk Joan Calamezzo who is creepily hitting on Tom and we have this exchange: Joan: I'm going to go to the bathroom and powder my nose... amongst other things. Ben: Dude, is she gonna go powder her vagina? Probably the hardest scene I've ever had to get through without breaking. Adam and I just had to skip doing it for the first few takes. It's on the blooper real I believe. Also, props to Mo Collins, who always brings it as Joan.
He returned to host the show when I was a cast member. And I did a character that pinched girls's asses, and said "YOU LOVE IT." And he's a great fan of it and thought it was going to be a huge character. And then it didn't get past dress rehearsal. And he said, "That's showbiz."
My favorite memory of the movie was Chris Farley, because we had him play a guy whose nose was bit off by a Saigon whore. So he did all the scenes with no nose, and he would improvise all his dialogue, he would ask first if it was alright, and I would say "sure," because he was just the funniest guy ever. It was really sad with Chris because he would always say he wanted to be as funny as John Belushi, and I would say that he funnier than John Belushi, but he never knew how funny he was. Sad.
John and I on the party planning committee for Kelly's party. Hanging the brown and grey balloons. We COULD NOT STOP LAUGHING.
It was a blast. First movie I ever did. Major memories: Danny McBride and I watching the Tyra Banks Show at lunch everyday and the stuntman breaking his leg for real in the opening scene!
Sorry no actual update. I've heard for years there's a movie being developed, but never from anyone actually connected with it. Personally I love the movies, that character, and all the people involved. It's some of the most fun I've had, and most the most widely received movie I've been a part of. Not sure Mike is really looking to make a new one, but I'm sure if he did, everyone would show up for it.
One, the first time I met him he kept saying he was thinking about quitting comedy and playing baseball, and I thought he was joking. I know that doesn't read too funny, but...Now I'm paranoid like, Brody's looking down at me telling boring stories about him and being like "thanks Todd! hundreds and literally hundreds of stories, and THAt's what you choose to share with people. NOT me at my best."
Well, my best memory is having worked with Harold Ramis, who unfortunately passed away earlier this year. He was also in GHOSTBUSTERS, but he directed me in CADDYSHACK and the original VACATION! And he gave me the character of Clark Griswold. And loved working with Eric Idle in EUROPEAN VACATION. When I was speaking what i thought was French to the waiter, and he was just making obscene... and working with Imogene Coca was great, because she really tied me into - and I'd worked with Sid Caesar too, but i really grew up on him, so it was terrific. I loved the scene, I think my favorite scene of all of 'em, is the scene between me and Jim Teach who's playing the motorcycle cop who stops my c...
I will say that off the top of my head, the two favorite sketches that I was a part of had to have been the Harry Caray space show with Jeff Goldblum and, of course the cowbell sketch with Christopher Walken. My favorite cast member to work with was Julia Louis-Dreyfus.

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The pin really did slip from my fingers and catch on my sweater. That was not something that was planned. But what we didn't show in the episode is that I had a second backup pin taped behind my ear with a band aid (skin color so you couldn't really see it). In practicing, the pin was really easy to drop, so I wanted a backup. If the pin hit the ground, I would have gone for my backup pin.
I was really worried they would ruin everything that I had built for doing comedy on a national level. I was worried it would look like I sold out and they weren't funny. But they worked. The directors were awesome, they offered me a lot of money, and the spots were really really well written. Then they let me improvise and write lines. It was really a more collaborative process than most movies I"ve been in. How weird is that? But I guess people liked them and that's all that matters. I've said the word "really" a lot in that answer and I'll own up to it. I'm really not ashamed of it.
The only movie I watch end to end over and over again is Walk Hard. It just makes me laugh and relaxes me. the rest I will watch pieces of when they are on cable. I have so many emotions tied to every scene it’s hard for me to be a normal audience to any of it. Except Dewey Cox. And Zohan. And Popstar. I guess the sillier ones draw me in.
It's very hard to choose. Because I've enjoyed all of them, really! There's a movie that never really did big in terms of its receipts, but it was called "Funny Farm," and in some ways, it may be my best performance. It was very real and very fun. I think it's because also it had the great director George Roy Hill. He directed me in that.
We acted together in the Senior Show our senior year. He was incredibly talented and the show was a lot of fun, but no, it never occurred to me that anyone would do anything together after high school. Who ever imagines that? I sometimes think that if I were to wake up and it turned out The Office was all a dream, the fact that John Krasinski was in it with me would be what I'd realize afterward should have been the obvious tip-off. "Oh! And John Krasinski was in it, too! But they called him Jim! And there was a beet farmer... Whoa, so weird"
I've interviewed almost 60,000 people. It's impossible to pick one out. I've interviewed 7 Presidents, Marlon Brando, to Frank Sinatra, to Nelson Mandela, to Martin Luther King, it's impossible.
I love how much people love Freddy Got Fingered. I think that movie made me realize how much the media gets the story wrong. Everywhere I go people tell me how much they love that movie. Lobby your congressman!! Freddy Got Fingered rules.
I had a great time on that show. That was a really fun time in my life. I left Saturday Night Live, and was happy after about 2 years of that show, I realized we were going to stick around, and it was happy to have the monkey off your back, when you leave SNL it doesn't mean you're not going to do anything else in your life in show business. So to leave it, and then get something else that kind of clicked, and I could make money at, and was really fun to do, was great. So if I didn't have Just Shoot Me, I wouldn't have had a lot of stuff. I would have never gotten a cover of Rolling Stone, I never would have gotten the house I had, and I got to work with fun people and do a show that I was p...
My favorite part of working on Community was getting to work with Chris McKenna, and learning from him (and from Neil Goldman and Garrett Donovan) how to start transitioning from sealed-off, alienated writer guy into connected collaborator guy. Talking to other writers about how to tell a story the best way possible, sharing personal experiences and mining them for premises, and just generally being holed up in a room somewhere on a movie lot with a bunch of smart, funny people working together to try to make a perfect show, I always miss that feeling and it changed my life.
Yes. I think it was a really great final episode, and I love that the final episode acknowledged the impact that the documentary crew had on everyone's lives, and also continued the story with the characters. And on a personal level I loved that Ryan literally ran off into the sunset with Kelly -- but abandoned a baby in order to do so. So funny and dark and happy perfect. Greg Daniels deserves all the credit in the world for wrapping up the series the way he started it out.