If ideas come easily to him or if he has to force himself to sit down and write to find them

Often both... some ideas pop in out of nowhere and come easily and almost HAVE to exist... some ideas need love and care and work and attention.

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Related posts tagged 'Coming up with ideas'

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Related posts tagged 'Coming up with ideas'

There's improv, but we write a bunch of stuff in advance, too. So have a library of jokes in your head, and on paper too, and you can pull some out when you need 'em.
If you ask yourself, `Is there anything I can do to get a laugh?’ you can find a lot of things. And usually they’re things that other people have found. But if you take something that’s never going to work and you go, `Wow, I wonder if there’s any way I can get somebody to laugh at this?’ it’s a great challenge.
Ideas exist outside of man. And drift into one's consciousness if one allows it. None of these ideas are mine, I only take them from the ether and put them back out in a more solid form.
I try to sit down and write, but I don't do that a lot. I tend to think of an idea, then work it out on stage. But I should do more homework.
i usually just think of one funny grain of the character's identity and let it build from there. with hoho, for instance, i just wanted to be an elf who delivers toys to naughty kids.
George Carlin said that comedy comes from looking around and saying, “There’s something wrong here.” It’s that and the twinkle feeling when an idea hits you. Something hits you then you write it out and tweak it on stage. Sometimes it works, but usually it doesn’t. And you repeat that over and over again.
Larry David and I discovered that we were both obsessed with superman and admired him and also found him very funny at the same time, so that is why he came up a lot. Are you related to the hot dog Kobayashi in Coney Island?

Related posts tagged 'Creativity'

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Related posts tagged 'Creativity'

it all comes in seasons and waves. the best we can hope it when we are called on, we are in a creative season! and if we're not, sometimes that panic of a deadline is enough to snap me out of it. but it's all self love. if youre blocked, love youself anyway. it's a better strategy and will make it go away faster than being hard on yourself. take a nap! take a walk! take a drive! watch a movie! it's all writing. just in your subconscious
If you ask yourself, `Is there anything I can do to get a laugh?’ you can find a lot of things. And usually they’re things that other people have found. But if you take something that’s never going to work and you go, `Wow, I wonder if there’s any way I can get somebody to laugh at this?’ it’s a great challenge.
[In reply to Louis CK, who was leading a discussion about the importance of maintaining a physical training routine and its relation to comedy] Louis, I concur that poor health leads to sloth and effects your creativity.
Repeating any behavior continually will effect your writing as it gives 
you nothing new to say. I do drugs, yes I do but I only do them socially. Its the fact that I
 talk openly about it that gives the impression that there is a
 frequency. I’ve probably done mushrooms 6 times this year, acid once
 (poor quality), coke maybe 5 or 6 times, and about three xanax a week
to sleep. I dont smoke pot. So smokes and drink are about my only habits and the cigarettes 
certainly n...
Each year I'm getting more and more joy out of the process than the outcome...that may be because I've been fortunate to have great outcomes and are taking them for granted but I like to think I'm remapping my neurology and interpreting certain experiences differently. I like talking to other people about how to tackle a story. If I were a character in a movie, my "arc" would definitely have something to do with a journey from isolation to collaboration. In other words, as I near my retirement, my real joy has become exploiting younger writers.
There is no line that I know in terms of what's "too far," whether that means too sentimental or too ...I don't know, controversial or confessional....a "boundary" is an artificial construct, we have to create boundaries when they involve other people, precisely because it makes empirical something that would otherwise be frustratingly subjective (like that neighbor that just kind of 'feels like' their yard extends into yours, in which case you have to go to city hall and pull out a map with lines on it). In matters of creativity - when you're sitting and writing dialogue by yourself, there's no lines needed because you're not having to function in cooperation, your job in creation, I think,...
I don't have a source except I keep thinking of things to say, so far. I don't really relate to the idea of "unacceptable". comedy is talking about anything. So... I do that.
Self-expression is a hallmark of an artist, of art, to get something off one’s chest, to sing one’s song. So that element is present in all art. And comedy, although it is not one of the fine arts—it’s a vulgar art, it’s one of the people’s arts, it’s the spoken word, the writing that goes into it is an art form—it’s certainly artistry. So self-expression is the key to even standing up and saying, "Hey, listen to me." Self-expression can be based on looking at the world and making observations about it or not. Comedy can also be based on describing one’s inner self—doing anecdotes, talking about your own fears. Woody Allen taps into a lot of self-analysis in his comedy. But I don’t think the...
I think everyone gets tired of who they are, or their own brains sometimes. I think the important thing is to keep pushing through into unexplored territories - new ways to express ideas or new jokes. that's when I feel really good- hitting on something new.
sure, i think it naturally boxes me in. One fun thing is to always try to working outside of boxes though... and i think people have gotten a little too concerened about things like genres and labels. I'm hoping this record is additive to my body of work and makes me a more interesting person to pay attention to.
That would be me, Robert, when I was EPing Dana Carvey's prime time variety show in 1996. We wanted to to do cartoons on the show, and pretty much anything that make it feel different than SNL. The great writer and deviant Dino Stamatopoulos pitched me something entirely different - what if characters like Wallace and Gromit were clearly having a sexual relationship? I didn't know much about what would be acceptable to the ABC audience watching after Home Improvement but I correctly identified that as unacceptable. Anyway, for some reason, the AGD idea just came to me at the end of that conversation. What if we did two superheroes and everyone suspects they're gay? It was always more about t...