Developing an act

You will probably be copying something you think is cool. At first, I was just trying to be loud. My early stand-up was stupid and goofy and loud. A little immature. At 21, you think you know a lot of things. At 25, you think you know a lot of things. At 46, you think you know a lot of things. Turns out, you never know anything.

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Related posts tagged 'Advice for aspiring comedians'

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Related posts tagged 'Advice for aspiring comedians'

stop fuckin around. just get on stage. there's nothing else to do if you want to do stand up. you need to get on stage. figure that out and the rest will follow.
i don't think standup is a place for networking or getting discovered too quickly. it's really something you need to spend a lot of time on before getting good, and it's a good idea to hold off before exposing people to your work. there are a couple of times when it felt like a break, but you can't tell a break when it happens to you. you just hope people see your work and like it. And keep doing it. About 4 years into comedy is when i got filed from my mail-sorting job and relied on comedy. it still feels like a frightening risk.
I think moving to LA was huge for my career. For those young people, eventually you go to either NY or LA. Listen to your gut. If you're in NY and think it's where you should be, you should be there. Don't believe the crap about NY. LA isn't full of plastic or phony people. I've met some of the best people in LA. If you hang in and work your ass off, you'll one day pick your head up and have made progress.
That guy, when I was in my early 20s, he’s not listening to advice…. [There’s] this story I’ve told before: I might have been about 18, and I was playing the Fort Lauderdale Comic Strip, and Rodney Dangerfield shows up. And he bumps everybody. So I go, “Mr. Dangerfield, can you stay and watch my act?” He’s like, “Uh, yeah, sure, kid.” So he does his show [and] I go up after Dangerfield—everybody’s scared to go up. And I fucking killed after Dangerfield, right? Then I came backstage and was like, “Hey, what did you think?” And Rodney was like, “Eh, I don’t know, kid, you talk that language, where are you going to go with that, talking about race stuff?” I was just shattered! Rodney had just s...
Best advice was when I asked Paul Reiser, "How do you get started in comedy?" I asked him that when I was in college. He said, "Well. You've just got to do it."
It takes 10 years to become funny, first of all. You don't start thinking about your voice until you REALLY realize that you're funny. I pretty much know who I am as a person, so that's why my voice is so real. Because I'm honest. It took me a long time to accept myself, people, and once I did, it was on and crackin.'
getting paid does NOT make you any better at standup, trust me. i wish it did. it's all about getting as much stage time as possible. it took me 2 years - my first gig, i got paid $20 and i drove 8 hours to do it. worth it. advice: get onstage, however possible. there are no shortcuts. you need to put in the time.
The best comedy advice in the beginning of my career was get onstage every night, as many times as possible. It’s the only way to get better. You can’t practice stand-up alone in your room. You can’t find out if a joke works by asking two of your friends.
Question: how do you organize and develop your material and various jokes? Do you have notebooks full of detailed notes and jokes, or do you just sketch them out and wing it on stage? Answer: I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.
You have to really want it and/or believe deep down you can do it. And/or hit rock bottom with your alternate career choice. I was coming apart at college, sucking as a predental student, and I heard about a standup contest. I wrote an act and went for it, and if I had bombed I may have given up right then. Fortunately I won and the validation made me unstoppable, as far as knowing what I wanted to do from then on. Not that unfamiliar a story, insecure actor/writer is self-effacing, scared to assert himself, gets a little success and shifts in animal mode. I don't know how badly you want to do this for a living, but if you do, go for it hard, take chances, and if you're not as lucky early o...