Favorite Comedy Bang! Bang! characters that others play

I am a huge fan of James Adomian's Tom Leykis, Lauren Lapkus' Traci Reardon, and anything Andy Daly ever does.

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sometimes it just naturally goes in directions people didn't expect - i'm thinking of pam murphy and will hines on a recent episode. when we take a break, I'll usually ask, "Is there somewhere else you were thinking of going with it, and can i lead you back there?" Most improvisers don't care about where it ends up, because the journey is more important than the destination.
Q: Would you agree that this is the best time to be a nerd as the nerds are rising up while the jocks and bullies are pumping our gas? A: i think nerds are on their way to greatness. im SUCH a nerd myself. #hollywoodhandbookref
i spend the 30 minute drive to meltdown just thinking about the guest and how i want it to go. picture them laughing, myself listening, us connecting. a little visualization. then a quick Wiki search, three Alpha Brain (for real, not a plug -- www.alphabrain.com/weird) and ONE sip of coffee.
i usually just think of one funny grain of the character's identity and let it build from there. with hoho, for instance, i just wanted to be an elf who delivers toys to naughty kids.
I think one of the best things that's ever happened to my stand up is the podcast because now I no longer have any motivation to send a "message" in a joke form. I just want my shit to be funny. If I can make points and be funny at the same time, awesome. I'm all for it, but most importantly it has to be interesting and funny to me. I can explore ideas until the end of time on the podcast and never need it to be funny, but for me as a fan at least, the comedy that I truly enjoy is the comedy that makes me laugh the most. In the past comics didn't have something like a podcast where they could go into great depth about a fuck load of different subjects, so to get their ideas across and expres...
It's a tough question. What we're talking about here is comics who are way too undeveloped on stage to be where they're at in their careers. The same thing happened with some of the roasts. It elevated features into headliners. That doesn't hurt standup, that just exposes audiences to standup who are less developed than they'd normally be exposed to. On one hand, though, people leave those shows thinking the whole art form isn't that great. So that does hurt the perception of standup. On the other hand, those people bring in new audiences to shows. People who would normally never have seen anything. And they'll then be fans of the craft and many will see other shows. So that's really grea...
Well, be interesting. Immerse yourself in the space. And talk about what YOU think is interesting. Talk to people who are more interesting than you are. And good luck!

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